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| Part of a series on Platonism |
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| Platonic doctrine of recollection |
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| Protagoras |
| Parmenides |
| Discussions of Plato\'s works |
| Dialogues of Plato |
| Metaphor of the sun |
| Analogy of the divided line |
| Allegory of the cave |
| Third Man Argument |
| Quis custodiet ipsos custodes? |
Platonic epistemology holds that knowledge is innate, so that learning is the development of ideas buried deep in the soul, often under the mid-wife-like guidance of an interrogator. Plato believed that each soul existed before birth with "The Form of the Good" and a perfect knowledge of everything. Thus, when something is "learned" it is actually just "recalled."
Plato drew a sharp distinction between knowledge, which is certain, and mere opinion, which is not certain. Opinions derive from the shifting world of sensation; knowledge derives from the world of timeless forms, or essences. In the Republic, these concepts were illustrated using the metaphor of the sun, the divided line, and the allegory of the cave.
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The Platonic doctrine of recollection or anamnesis, is the idea that we are born possessing all knowledge and our realization of that knowledge is contingent on our discovery of it. Whether the doctrine should be taken literally or not is a subject of debate. The soul is trapped in the body. The soul once lived in "Reality", but got trapped in the body. It once knew everything, but forgot it. The goal of Recollection is to get back to true Knowledge. To do this, one must overcome the body. This doctrine implies that nothing is ever learned, it is simply recalled or remembered.
For more details on this topic, see Plato\'s metaphor of the sun.
In The Republic (507b-509c) Plato uses the sun as a metaphor for the source of "intellectual illumination," which he held to be The Form of the Good. The metaphor is about the nature of ultimate reality and how we come to know it. It starts with the eye, which Plato says is unusual among the sense organs in that it needs a medium, namely light, in order to operate. The strongest and best source of light is the sun; with it, we can discern objects clearly. Analogously for intelligible objects The Form of the Good is necessary in order to understand any particular thing. Thus, if we attempt to understand why things are as they are, and what general categories can be used to understand various particulars around us, without reference to any forms (universals) we will fail completely. By contrast, "the domain where truth and reality shine resplendent" is none other than Plato\'s world of forms--illuminated by the highest of the forms, that of the Good. Since true being resides in the world of the forms, we must direct our intellect there to have knowledge; otherwise, we are stuck with mere opinion of what may be likened to passing shadows.
For more details on this topic, see Plato\'s divided line.
Plato, in The Republic Book VI (509d-513e), uses the literary device of a divided line to teach his basic views about four levels of existence (especially "the intelligible" world of the forms, universals, and "the visible" world we see around us) and the corresponding ways we come to know what exists.
The divided line has two parts that represent the intelligible world and the smaller visible world. Each of those two parts is divided, the segments within the intelligible world represent higher and lower forms and the segments within the visible world represent ordinary visible objects and their shadows, reflections, and other representations. The line segments are unequal and their lengths represent "their comparative clearness and obscurity" and their comparative "reality and truth," as well as whether we have knowledge or instead mere opinion of the objects. Hence, we are said to have relatively clear knowledge of something that is more real and "true" when we attend to ordinary perceptual objects like rocks and trees; by comparison, if we merely attend to their shadows and reflections, we have relatively obscure opinion of something not quite real.
For more details on this topic, see Plato\'s allegory of the cave.
In his best-known dialogue, The Republic, Plato drew an analogy between human sensation and the shadows that pass along the wall of a cave - an allegory known as Plato\'s allegory of the cave. Prisoners inside the cave can view only the shadows of puppets in front of a fire behind them. If a prisoner is freed, he learns that his previously perceived reality was merely a "shadow" and that the puppets are more "real." If the learner moves outside of the cave, he/she learns that there are real things of which the puppets are just imitation - a greater reality is again achieved. Thus, opinion is steadily replaced with knowledge; mere opinion is the viewing of the shadows, whereas knowledge is an escape from the cave, into the world of the sun and real objects. Eventually, the learner reaches the "form" of the object through the dialectic.
A good example of how Plato viewed the acquiring of knowledge is contained in his teachings of the Ladder of Love. In Symposium (210a-211b) a "lover" is defined as someone who loves and to love is defined as a desire for something that one does not have. According to this ladder model of love, a lover progresses from rung to rung from the basest love to the pure form of love as follows:
Knowledge concerning other things is similarly gained by progressing from a base reality (or shadow) of the thing sought (red, tall, thin, keen, etc.) to the eventual form of the thing sought, or the thing sought itself. Such steps follow the same pattern as Plato\'s metaphor of the sun, his allegory of the cave and his divided line; progress brings one closer and closer to reality as each step explains the relative reality of the past.
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